[FRIAM] Book publishing advice needed

Eric Charles eric.phillip.charles at gmail.com
Sat Jul 4 22:55:15 EDT 2020


Nick said " the contract should explicitly say that rights revert to the
author when the publisher no longer maintains the book in print and
promotes it."

I handwrote that into the contract for the book on New Realism (presumably
based on a suggestion from you). Alas, that's an almost
nonsensical insertion at this point. The company will maintain a website
that lists the book indefinitely, with it available for purchase from
various marketplaces such as Amazon and Google books. So it is "maintained"
and "promoted", at no cost, in perpetuity, and is always available, because
books can now easily be printed on demand in single copy. I expect nowadays
it might make more sense to say something like: "If the book sells no
copies in X years, in any medium supported by the publisher, then the
rights revert to the author."

It has been nine years, and the book still hasn't sold enough copies for me
to see a penny.

If I were writing a novel I would definitely either self publish or find a
firm that focuses on online publishing, and which returns a definite
marketing plan in return for their cut (there are firms that focus on
kickstarting novels, or other internet forums, for example).


-----------
Eric P. Charles, Ph.D.
Department of Justice - Personnel Psychologist
American University - Adjunct Instructor
<echarles at american.edu>


On Sat, Jul 4, 2020 at 4:46 PM <thompnickson2 at gmail.com> wrote:

> At the very list, the contract should explicitly say that rights revert to
> the author when the publisher no longer maintains the book in print and
> promotes it.  I often edited my magazine contracts to give only first
> rights.  I agree with Tom, that copyright should stay with the author.
>
>
>
> N
>
>
>
> Nicholas Thompson
>
> Emeritus Professor of Ethology and Psychology
>
> Clark University
>
> ThompNickSon2 at gmail.com
>
> https://wordpress.clarku.edu/nthompson/
>
>
>
>
>
> *From:* Friam <friam-bounces at redfish.com> *On Behalf Of *Tom Johnson
> *Sent:* Saturday, July 4, 2020 2:32 PM
> *To:* The Friday Morning Applied Complexity Coffee Group <
> friam at redfish.com>
> *Subject:* Re: [FRIAM] Book publishing advice needed
>
>
>
> Another advantage of self-publishing is that you retain the copyright.
> Ergo, you can license it to a publisher for an updated edition or just
> distribution.
>
> Tom
>
>
> ============================================
> Tom Johnson - tom at jtjohnson.com
> Institute for Analytic Journalism   --     Santa Fe, NM USA
> 505.577.6482(c)                                    505.473.9646(h)
> *NM Foundation for Open Government* <http://nmfog.org>
> *Check out It's The People's Data
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> On Sat, Jul 4, 2020 at 2:25 PM Jochen Fromm <jofr at cas-group.net> wrote:
>
> Thanks. Yes, self-publishing is an option. I am looking for an official
> publisher mainly for one reason, namely that other scientists and
> researchers can cite it, since I still cling to the illusion that someone
> would actually do it. Normally self-published texts are not considered as
> reliable or trustworthy sources. I didn't expect that finding a decent
> publisher would be so difficult.
>
>
>
> -J.
>
>
>
>
>
> -------- Original message --------
>
> From: Tom Johnson <tom at jtjohnson.com>
>
> Date: 7/4/20 20:10 (GMT+01:00)
>
> To: The Friday Morning Applied Complexity Coffee Group <friam at redfish.com>
>
>
> Subject: Re: [FRIAM] Book publishing advice needed
>
>
>
> Jochen:
>
> The deal being offered strikes me as a bad deal.
>
>
>
> Background:  I have been practicing and teaching about "Be Your Own
> Publisher" for nearly 15 years.  There are, in my opinion, some major
> problems with all publishers today.  It starts with control of the
> copyright.  I think YOU should want to maintain control of the copyright to
> your work.  It will depend on the contract, but many or most publishers
> will try to lock down the copyright in their favor for all -- ALL -- forms
> of your work in perpetuity and throughout the universe.  Sometimes quite
> literally.
>
>
>
> Second, you should assume -- especially with a small publisher and you,
> not being as well known  as Stephen King or Daniel Steele  -- the publisher
> will do little if anything to promote your book beyond a mention in its
> catalog and, maybe, some promotional links on Amazon.  Given that, a 5
> percent royalty should be seen as a con.
>
>
>
> Third, given your computing experience, you should find it easy to format
> and produce the book yourself.  I have used Lulu.com for years.  It is
> especially good if you want to have both hardback, paperback and PDF
> editions.  Again the advantages: you keep the copyright, you can set (and
> change) the prices and to a degree the royalties.  Also, Lulu and Amazon
> handle all the backend financial arrangements and administration and pay
> directly and quickly.  I also use a very good, high quality digital printer
> in Albuquerque for paperback editions.  It is Lithexcel
> <https://lithexcel.com/services/print.html>.  It handles all the printing
> (one copy to any number) quickly, along with all the fulfillment and
> accounting. The folks there will also, for only $25, set up your book in
> the Amazon inventory search engine.  Finally, there is Amazon's
> self-publishing arm
> <https://www.bookbaby.com/free-publishing-guides?utm_campaign=GOOSL31&utm_source=SITELINK&utm_medium=cpc&mkwid=sNzCXe5z8_dc%7Cpcrid%7C238281756657%7Cpmt%7Ce%7Cpkw%7Camazon%20book%20publishing%7Cslid%7CcWU1oXIv%7Ctargetids%7Ckwd-362938383597%7Cgroupid%7C48812614458%7C&pgrid=48812614458&ptaid=kwd-362938383597&gclid=Cj0KCQjw0YD4BRD2ARIsAHwmKVnFci42apQ6vWUruvHuYX-FOum9VCF7bx83c_tSMHGoby8yylL_RTMaAjOEEALw_wcB>.
> While Amazon might take a bigger slice, the control over all aspects is in
> your hands.
>
>
>
> Here's the problem/challenge with all of these.  *YOU* have to do the
> marketing/publicity/promotion.  But so what?  If you today sign with any
> publisher of any size you will have to do the same thing.
>
>
>
> Hope this helps.  Feel free to contact me with questions.  Also you might
> want to see https://bit.ly/2ZvihKc
>
> Tom
>
>
> ============================================
> Tom Johnson - tom at jtjohnson.com
> Institute for Analytic Journalism   --     Santa Fe, NM USA
> 505.577.6482(c)                                    505.473.9646(h)
> *NM Foundation for Open Government* <http://nmfog.org>
> *Check out It's The People's Data
> <https://www.facebook.com/pages/Its-The-Peoples-Data/1599854626919671>*
>
>
> ============================================
>
>
>
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>
> On Fri, Jul 3, 2020 at 1:29 AM Jochen Fromm <jofr at cas-group.net> wrote:
>
> At one end of the spectrum there are the 5 big commercial publishers
> Hachette, HarperCollins, Macmillan, Penguin Random House and Simon &
> Schuster. They only publish stuff their agents select to make a lot of
> money. There are also the big academic publishers like OUP, CUP, HUP and
> MIT Press, which preferably publish strictly peer-reviewed content from
> professors at Ivy League universities who made their PhD at the age of 20.
>
>
> At the other end of the spectrum there are "predatory publishers" who
> publish anything you submit as long as you pay enough money for it. Open
> access books can also be very expensive. Publishing an "open access book"
> at De Gruyter for example costs up to 8000 $. You pay for it so that other
> people read it. It is basically some kind of advertising of your own work.
>
>
> For my own new book I finally have an offer from a small publisher in
> Washington D.C. who is somewhere in the middle of the spectrum. They are
> really small and offer 5% royalties. Should I accept this offer or wait for
> a better one? It is the only one from more than 25 publishers I have asked,
> and the publishers at the moment are flooded with submissions. :-/
>
> https://www.theguardian.com/books/booksblog/2020/mar/26/novel-writing-during-coronavirus-crisis-outbreak
>
>
>
> -J.
>
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