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    <blockquote type="cite"
      cite="mid:00d001d56c0f$0685d100$13917300$@earthlink.net">
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        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366">Geez,
            Steve, <o:p></o:p></span></p>
        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366"><o:p> </o:p></span></p>
        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366">I
            didn’t know that morphs COULD resonate. <o:p></o:p></span></p>
        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366"><o:p> </o:p></span></p>
        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366">What
            on earth are you talking about? </span></p>
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    </blockquote>
    <p>What Dave just said in description of Sheldrake's theory of
      "morphic resonance"...   a resonant coupling amongst things which
      have the same morphology  (shape).  In your case, you and Dave
      apparently have similar "intellectual resonant chambers" which, in
      this treatment "begin to resonate" as you spend enough time
      "coupling" (in conversation).   <br>
    </p>
    <p>Following the analogy (stronger/more-formal than a metaphor I
      propose), when you "couple" with others who you end up disagreeing
      with, I suspect it starts out  a bit like a barbershop quartet...
      one member hitting a tone and another following by hitting the
      same tone, but as the progression gets more  complex, the
      *differences* in your tonality starts to expose itself as
      dissonances.   I credit you "harmonizing" with Dave in this (and
      perhaps other) instance to Dave for *trying* to help you find the
      same note (as I am here).   <br>
    </p>
    <p>The Nick and Frank show (e.g. recent analogy to train conductors)
      seems to be a deliberate study/applicatoin in dissonance... one of
      you hits a note  and the other intuitively (or with great
      intellectual effort) factors the composing frequencies of that
      note and responds with a new note that has *none* or *few* of the
      same composing frequencies, generating a complex set of beat
      frequencies anew.   I don't know how much this type of deliberate
      dissonance is used in echolocating creatures (bats, cetaceans,
      ???) but finding *dissonance* seems potentially *more useful* than
      resonance in some cases?</p>
    <p>- Steve<br>
    </p>
    <blockquote type="cite"
      cite="mid:00d001d56c0f$0685d100$13917300$@earthlink.net">
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        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366"><o:p></o:p></span></p>
        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366"><o:p> </o:p></span></p>
        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366">Nick
            <o:p></o:p></span></p>
        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366"><o:p> </o:p></span></p>
        <div>
          <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366">Nicholas
              S. Thompson<o:p></o:p></span></p>
          <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366">Emeritus
              Professor of Psychology and Biology<o:p></o:p></span></p>
          <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366">Clark
              University<o:p></o:p></span></p>
          <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366"><a
href="http://home.earthlink.net/~nickthompson/naturaldesigns/"
                moz-do-not-send="true"><span style="color:#0563C1">http://home.earthlink.net/~nickthompson/naturaldesigns/</span></a><o:p></o:p></span></p>
        </div>
        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#993366"><o:p> </o:p></span></p>
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            1.0pt;padding:3.0pt 0in 0in 0in">
            <p class="MsoNormal"><b><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:windowtext">From:</span></b><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:windowtext">
                Friam [<a class="moz-txt-link-freetext" href="mailto:friam-bounces@redfish.com">mailto:friam-bounces@redfish.com</a>] <b>On Behalf
                  Of </b>Steven A Smith<br>
                <b>Sent:</b> Sunday, September 15, 2019 5:32 PM<br>
                <b>To:</b> <a class="moz-txt-link-abbreviated" href="mailto:friam@redfish.com">friam@redfish.com</a><br>
                <b>Subject:</b> Re: [FRIAM] Unmediated perception -
                sheldrake<o:p></o:p></span></p>
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        </div>
        <p class="MsoNormal"><o:p> </o:p></p>
        <p><o:p> </o:p></p>
        <div>
          <p class="MsoNormal"><o:p> </o:p></p>
        </div>
        <blockquote style="margin-top:5.0pt;margin-bottom:5.0pt">
          <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D">Interesting,
              David.  With most people I find that if we talk long
              enough, we disagree; with you it mostly works the other
              way.  Thank you. </span><o:p></o:p></p>
          <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D"> </span><o:p></o:p></p>
          <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D">Nick
            </span><o:p></o:p></p>
          <p class="MsoNormal"><o:p> </o:p></p>
        </blockquote>
        <p class="MsoNormal">Looks like a case of morphic resonance to
          me!<o:p></o:p></p>
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      <pre class="moz-quote-pre" wrap="">============================================================
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</pre>
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